{"version":"1.0","provider_name":"f_films: female filmworkers in europe","provider_url":"https:\/\/f-films.deutsches-filminstitut.de\/cms","author_name":"Urs Scheufele","author_url":"https:\/\/f-films.deutsches-filminstitut.de\/cms\/author\/uscheufele\/","title":"Br\u00e8ve Travers\u00e9e, FR 2001 \\\\ Drehbuch, Regie - f_films: female filmworkers in europe","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"35td1awqwk\"><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/brve-traverse-fr-2001\/\">Br\u00e8ve Travers\u00e9e, FR 2001 \\\\ Drehbuch, Regie<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/brve-traverse-fr-2001\/embed\/#?secret=35td1awqwk\" width=\"600\" height=\"338\" title=\"&#8222;Br\u00e8ve Travers\u00e9e, FR 2001 \\\\ Drehbuch, Regie&#8220; &#8211; f_films: female filmworkers in europe\" data-secret=\"35td1awqwk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Br\u00e8ve Travers\u00e9e, FR 2001 \\ Drehbuch, Regie &#8222;Brief crossing&#8220; &nbsp; &#8222;&#8230;Einen Jungen beim \u201aersten Mal\u00b4 filmen, ihn wie ein M\u00e4dchen filmen. Oberfl\u00e4chlich. Nostalgie f\u00fcr die transatlantischen Schiffe, f\u00fcr den Raum \u201ajenseits der Grenze\u00b4, der es uns erlaubt, Abenteuer au\u00dferhalb unseres wirklichen Lebens zu genie\u00dfen [&#8230;]. Eine Leidenschaft in der Einheit von Zeit und Raum klassischer [&hellip;]"}