{"id":155,"date":"2014-09-23T12:33:04","date_gmt":"2014-09-23T10:33:04","guid":{"rendered":"http:\/\/f-films.deutsches-filminstitut.de\/cms\/?page_id=155"},"modified":"2014-12-17T15:51:10","modified_gmt":"2014-12-17T13:51:10","slug":"chantal-akerman","status":"publish","type":"page","link":"https:\/\/f-films.deutsches-filminstitut.de\/cms\/auswahl-regisseurinnen\/chantal-akerman\/","title":{"rendered":"Chantal Akerman"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_three_fourth  avia-builder-el-first   container_wrap fullsize' style=' '  ><div   data-size='featured'  data-lightbox_size='large'  data-animation='slide'  data-conditional_play=''  data-ids='1245,1246'  data-video_counter='0'  data-autoplay='true'  data-bg_slider='false'  data-slide_height=''  data-handle='av_slideshow_full'  data-interval='3'  data-class=' '  data-el_id=''  data-css_id=''  data-scroll_down=''  data-control_layout='av-control-default'  data-custom_markup=''  data-perma_caption=''  data-autoplay_stopper=''  data-image_attachment=''  data-min_height='0px'  data-lazy_loading='disabled'  data-src=''  data-position='top left'  data-repeat='no-repeat'  data-attach='scroll'  data-stretch=''  data-default-height='28.666666666667'  class='avia-slideshow avia-slideshow-1  av-control-default av-default-height-applied avia-slideshow-featured av_slideshow_full   avia-slide-slider '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 41.9921875%;' ><li  class=' slide-1 ' ><div data-rel='slideshow-1' class='avia-slide-wrap '   ><img decoding=\"async\" class=\"wp-image-1245 avia-img-lazy-loading-not-1245\"  src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-1024x430.jpg\" width=\"1024\" height=\"430\" title='Chantal Akerman: Captive fn077561_pic_01' alt=''  itemprop=\"thumbnailUrl\"   \/><\/div><\/li><li  class=' slide-2 ' ><div data-rel='slideshow-1' class='avia-slide-wrap '   ><img decoding=\"async\" class=\"wp-image-1246 avia-img-lazy-loading-not-1246\"  src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_02-1024x430.jpg\" width=\"1024\" height=\"430\" title='Chantal Akerman: Captivefn077561_pic_02' alt=''  itemprop=\"thumbnailUrl\"   \/><\/div><\/li><\/ul><div class='avia-slideshow-arrows avia-slideshow-controls'><a href='#prev' class='prev-slide' aria-hidden='true' data-av_icon='\ue87c' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" tabindex=\"-1\">Zur\u00fcck<\/a><a href='#next' class='next-slide' aria-hidden='true' data-av_icon='\ue87d' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" tabindex=\"-1\">Weiter<\/a><\/div><div class='avia-slideshow-dots avia-slideshow-controls'><a href='#1' class='goto-slide active' >1<\/a><a href='#2' class='goto-slide ' >2<\/a><\/div><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize' style=' '  ><div class='container' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-155'><div class='entry-content-wrapper clearfix'>\n<div class=\"flex_column av_three_fourth  flex_column_div first  avia-builder-el-1  el_after_av_slideshow_full  avia-builder-el-no-sibling  \" ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h3 style=\"text-align: justify;\">Chantal Akerman<\/h3>\n<p style=\"text-align: justify;\">Geboren am 6. Juni 1950 in Br\u00fcssel. Besuch eines Lyceums in Br\u00fcssel. Mit 15 Jahren sieht sie den Film &#8222;Pierrot le Fou&#8220; von Jean-Luc Godard und wird angeregt, selbst Filme zu drehen. F\u00fcr vier Monate besucht sie die Film-Hochschule in Br\u00fcssel (INSAS). Nach eigenen Aussagen hat sie dort keine Anregungen erhalten. 1971 l\u00e4ngerer New-York Aufenthalt und Besch\u00e4ftigung mit den Filmen von Stan Brakhage, Michael Snow und Jonas Mekas. Seit 1968 dreht sie Filme.<\/p>\n<p style=\"text-align: justify;\">Born Brussels, 6th June 1950. Education Attended INSAS film school, Brussels, 1967-68; studied at Universite Internationale du Theatre, Paris, 1968-69. Career 1971-Blow up My Town entered in Oberhausen festival; 1972-lived in New York; 1973-returned to France; 1997-instructor at Harvard University. Address c\/o National Tourist Office, 61 Rue de Marche Aux Herbes, Brussels, B1000, Belgium.<\/p>\n<p style=\"text-align: justify;\">At the age of 15 Chantal Akerman saw Godard&#8217;s Pierrot le fou and realized that filmmaking could be experimental and personal. She dropped in and out of film school and has since created short and feature films for viewers who appreciate the opportunity her works provide to think about sounds and images. Her films are often shot in real time, and in space that is part of the characters&#8216; identity.<br \/>\nDuring a self-administered apprenticeship in New York (1972-73) shooting short films on very low budgets, Akerman notes that she learned much from the work of innovators Michael Snow and Stan Brakhage. She was encouraged to explore organic techniques for her personal subject matter. In her deliberately paced films there are long takes, scenes shot with stationary camera, and a play of light in relation to subjects and their space. (In &#8222;JeanneDielman, 23 Quai du Commerce, 1080 Bruxelles&#8220;, as Jeanne rides up or down in the elevator, diagonals of light from each floor cut across her face in a regular rhythm.)<\/p>\n<p style=\"text-align: justify;\"><div class=\"su-spoiler su-spoiler-style-default su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Mehr<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\"><\/p>\n<p style=\"text-align: justify;\">Her films feature vistas down long corridors, acting with characters&#8216; backs to the camera, and scenes concluded with several seconds of darkness. In Akerman films there are hotels and journeys, little conversation. Windows are opened and sounds let in, doors opened and closed; we hear a doorbell, a radio, voices on the telephone answering machine, footsteps, city noises. Each frame is carefully composed, each gesture the precise result of Akerman&#8217;s directions. A frequent collaborator is her sensitive cameraperson, Babette Mangolte, who has worked with Akerman on such works as &#8222;Jeanne Dielman&#8220;, &#8222;News from Home&#8220;, and &#8222;Toute une nuit&#8220;. Mangolte has also worked with avant-gardists Yvonne Rainer, Marcel Hanoun, and Michael Snow.<br \/>\nPlotting is minimal or nonexistent in Akerman films. Old welfare clients come and go amid the impressive architecture of a once-splendid hotel on New York&#8217;s Upper West Side in Hotel Monterey. New York City plays its busy, noisy self for the camera as Akerman&#8217;s voice on the soundtrack reads concerned letters from her mother in Belgium in &#8222;News from Home&#8220;. A young filmmaker travels to Germany to appear at a screening of her latest film, meets people who distress her, and her mother who delights her, and returns home in &#8222;Les Rendez-vous d&#8217;Anna&#8220;. Jeanne Dielman, super-efficient housewife, earns money as a prostitute to support herself and her son. Her routine breaks down by chance, and she murders one of her customers.<br \/>\nThe films (some of which are semiautobiographical) are not dramatic in the conventional sense, nor are they glamorized or eroticized; the excitement is inside the characters. In a film which Akerman has called a love letter to her mother, Jeanne Dielman is seen facing the steady camera as members of a cooking class might see her, and she prepares a meat loaf-in real time. Later she gives herself a thorough scrubbing in the bathtub; only her head and the motion of her arms are visible. Her straightening and arranging and smoothing are seen as a child would see and remember them.<br \/>\nIn &#8222;Toute une nuit&#8220; Akerman displays her precision and control as she stages the separate, audience-involving adventures of a huge cast of all ages that wanders out into Brussels byways on a hot, stormy night. In this film, reminiscent of Wim Wenders and his wanderers and Marguerite Duras&#8217;s inventive soundtracks, choreography, and sense of place, Akerman continues to explore her medium using no conventional plot, few spoken words, many sounds, people who leave the frame to a lingering camera, and appealing images. A little girl asks a man to dance with her, and he does. The filmmaker&#8217;s feeling for the child and the child&#8217;s independence cannot be mistaken.<br \/>\nAkerman&#8217;s &#8222;Moving In&#8220;, meanwhile, centers on a monologue delivered by a man who has just moved into a modern apartment. A film of &#8222;memory and loss,&#8220; according to Film Comment, he has left behind &#8222;a melancholy space of relations, relations dominated by his former neighbors, a trio of female &#8217;social science students.'&#8220;<\/p>\n<p style=\"text-align: justify;\">Lilian Schiff. In: Amy L. Unterburger (Hrsg.) The St. James Women Filmmakers Encyclopedia Women on the other Side of the Camera. Detroit [u.a.]: Visible Ink, 1999, S. 4-5<\/p>\n<p style=\"text-align: justify;\">Literatur<\/p>\n<p style=\"text-align: justify;\">Aubenas. Jacqueline. Chantal Akerman. Br\u00fcssel: S\u00e9minaire 1982<\/p>\n<p style=\"text-align: justify;\">Bordering on Fiction. Chantal Akerman&#8217;s &#8222;D&#8217;Est&#8220;. Kunstmuseum Wolfsburg. Hrsg. von der Galerie Nationale du Jeu de Paume, Paris. 1995<\/p>\n<p style=\"text-align: justify;\">Brunsdon, Charlotte. Films for women. London: British Filminstitut, 1987<\/p>\n<p style=\"text-align: justify;\">Foster, Gwendolyn A. Identity and Memory. The Films of Chantal Akerman. Townbridge: Flicks Books, 1999<\/p>\n<p style=\"text-align: justify;\"><\/div><\/div><\/p>\n<\/div><\/section><br \/>\n<div  class='avia-gallery  avia-gallery-1 avia_lazyload avia-gallery-animate avia_animate_when_visible  avia-builder-el-3  el_after_av_textblock  el_before_av_heading '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class='avia-gallery-thumb'> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06.jpg\" href=\"283\" href=\"397\" href=\"\" data-srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06-213x300.jpg 213w\" data-sizes=\"(max-width: 283px) 100vw, 283px\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06.jpg' class='first_thumb lightbox ' data-onclick='1' title='Chantal Akerman'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1006 avia-img-lazy-loading-not-1006\"  data-avia-tooltip='Chantal Akerman' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06.jpg\" width=\"283\" height=\"397\"  title='Chantal-Akerman-1' alt='' srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_06-213x300.jpg 213w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/a> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_05.jpg\" href=\"283\" href=\"184\" href=\"\" data-srcset=\"\" data-sizes=\"\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_05.jpg' class='lightbox ' data-onclick='2' title='Chantal Akerman'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1067 avia-img-lazy-loading-not-1067\"  data-avia-tooltip='Chantal Akerman' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fp3602_05.jpg\" width=\"283\" height=\"184\"  title='chantal-akerman' alt='' \/><\/a><\/div><\/div><br \/>\n<div  style='padding-bottom:10px; ' class='av-special-heading av-special-heading-h4  blockquote modern-quote  avia-builder-el-4  el_after_av_gallery  el_before_av_portfolio  avia-builder-el-last  '><h4 class='av-special-heading-tag '  itemprop=\"headline\"  >Filmographie<\/h4><div class='special-heading-border'><div class='special-heading-inner-border' ><\/div><\/div><\/div><br \/>\n<div class='portfolio_preview_container ' data-portfolio-id='1'>\n\t\t\t\t\t\t\t\t<div class='ajax_controlls iconfont'>\n\t\t\t\t\t\t\t\t\t<a href='#prev' class='ajax_previous' \taria-hidden='true' data-av_icon='\ue878' data-av_iconfont='entypo-fontello'><\/a>\n\t\t\t\t\t\t\t\t\t<a href='#next' class='ajax_next'\t\taria-hidden='true' data-av_icon='\ue879' 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2008'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/women-from-antwerp-in-november-fbe-2008\/' title='Women from Antwerp in November, F\/BE 2008'>Women from Antwerp in November, F\/BE 2008<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='2714' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-2714 grid-entry-overview grid-loop-2 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/la-bs-fbe-2006-regie-drehbuch\/\" 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(The Day I..), CH 1997 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/le-jour-o-the-day-i-ch-1997\/' title='Le Jour o\u00f9.. (The Day I..), CH 1997 \\\\ Regie, Drehbuch'>Le Jour o\u00f9.. (The Day I..), CH 1997 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='731' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-731 grid-entry-overview grid-loop-9 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/chantal-akerman-par-chantal-akerman-fr-1996\/\" title='Chantal Akerman par Chantal Akerman, FR 1996 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/chantal-akerman-par-chantal-akerman-fr-1996\/' title='Chantal Akerman par Chantal Akerman, FR 1996 \\\\ Regie'>Chantal Akerman par Chantal Akerman, FR 1996 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='730' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-730 grid-entry-overview grid-loop-10 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/un-divan-new-york-eine-couch-in-new-york-un-divan-new-york-bedefr-19951996\/\" title='Un divan \u00e0 New York \/ Eine Couch in New York \/ Un divan \u00e0 New York, BE\/DE\/FR 1995\/1996  \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/un-divan-new-york-eine-couch-in-new-york-un-divan-new-york-bedefr-19951996\/' title='Un divan \u00e0 New York \/ Eine Couch in New York \/ Un divan \u00e0 New York, BE\/DE\/FR 1995\/1996  \\\\ Regie, Drehbuch'>Un divan \u00e0 New York \/ Eine Couch in New York \/ Un divan \u00e0 New York, BE\/DE\/FR 1995\/1996  \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='729' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-729 grid-entry-overview grid-loop-11 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/portrait-dune-jeune-fille-de-la-fin-des-annes-60-bruxelles-fr-1994\/\" title='Portrait d&#8217;une jeune fille de la fin des ann\u00e9es 60, \u00e0 Bruxelles, FR 1994 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/portrait-dune-jeune-fille-de-la-fin-des-annes-60-bruxelles-fr-1994\/' title='Portrait d&#8217;une jeune fille de la fin des ann\u00e9es 60, \u00e0 Bruxelles, FR 1994 \\\\ Regie, Drehbuch'>Portrait d&#8217;une jeune fille de la fin des ann\u00e9es 60, \u00e0 Bruxelles, FR 1994 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='728' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-728 grid-entry-overview grid-loop-12 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/dest-fr-1993\/\" title='D&#8217;Est, FR 1993 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/dest-fr-1993\/' title='D&#8217;Est, FR 1993 \\\\ Regie, Drehbuch'>D&#8217;Est, FR 1993 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='727' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-727 grid-entry-overview grid-loop-13 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/le-dmnagement-fr-1992\/\" title='Le D\u00e9m\u00e9nagement, FR 1992 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/le-dmnagement-fr-1992\/' title='Le D\u00e9m\u00e9nagement, FR 1992 \\\\ Regie, Drehbuch'>Le D\u00e9m\u00e9nagement, FR 1992 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='726' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-726 grid-entry-overview grid-loop-14 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/pour-febe-elisabeth-velsquez-fr-1991\/\" title='Pour Febe Elisabeth Vel\u00e1squez, FR 1991 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/pour-febe-elisabeth-velsquez-fr-1991\/' title='Pour Febe Elisabeth Vel\u00e1squez, FR 1991 \\\\ Regie'>Pour Febe Elisabeth Vel\u00e1squez, FR 1991 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='725' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-725 grid-entry-overview grid-loop-15 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/nuit-et-jour-nuit-et-jour-nuit-et-jour-frbech-1991\/\" title='Nuit et jour \/ Nuit et jour \/ Nuit et Jour, FR\/BE\/CH 1991 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/nuit-et-jour-nuit-et-jour-nuit-et-jour-frbech-1991\/' title='Nuit et jour \/ Nuit et jour \/ Nuit et Jour, FR\/BE\/CH 1991 \\\\ Regie, Drehbuch'>Nuit et jour \/ Nuit et jour \/ Nuit et Jour, FR\/BE\/CH 1991 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='724' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-724 grid-entry-overview grid-loop-16 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/trois-strophes-sur-le-nom-de-sacher-fr-1989\/\" title='Trois strophes sur le nom de Sacher, FR 1989 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/trois-strophes-sur-le-nom-de-sacher-fr-1989\/' title='Trois strophes sur le nom de Sacher, FR 1989 \\\\ Regie'>Trois strophes sur le nom de Sacher, FR 1989 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='723' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-723 grid-entry-overview grid-loop-17 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/les-trois-dernires-sonates-de-franz-schubert-fr-1989\/\" title='Les trois derni\u00e8res sonates de Franz Schubert, FR 1989 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/les-trois-dernires-sonates-de-franz-schubert-fr-1989\/' title='Les trois derni\u00e8res sonates de Franz Schubert, FR 1989 \\\\ Regie'>Les trois derni\u00e8res sonates de Franz Schubert, FR 1989 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='722' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-722 grid-entry-overview grid-loop-18 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/histoires-d-amerique-food-family-and-philosophy-histoires-d-amerique-food-family-and-philosophy-frbe-1988\/\" title='Histoires d&#8216; Amerique (Food, Family and Philosophy) \/ Histoires d&#8216; Amerique (Food, Family and Philosophy), FR\/BE 1988 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/histoires-d-amerique-food-family-and-philosophy-histoires-d-amerique-food-family-and-philosophy-frbe-1988\/' title='Histoires d&#8216; Amerique (Food, Family and Philosophy) \/ Histoires d&#8216; Amerique (Food, Family and Philosophy), FR\/BE 1988 \\\\ Regie, Drehbuch'>Histoires d&#8216; Amerique (Food, Family and Philosophy) \/ Histoires d&#8216; Amerique (Food, Family and Philosophy), FR\/BE 1988 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='721' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-721 grid-entry-overview grid-loop-19 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/le-marteau-fr-1986\/\" title='Le Marteau, FR 1986 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/le-marteau-fr-1986\/' title='Le Marteau, FR 1986 \\\\ Regie'>Le Marteau, FR 1986 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='720' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-720 grid-entry-overview grid-loop-20 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/mallet-stevens-fr-1986\/\" title='Mallet-Stevens, FR 1986 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/mallet-stevens-fr-1986\/' title='Mallet-Stevens, FR 1986 \\\\ Regie'>Mallet-Stevens, FR 1986 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='719' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-719 grid-entry-overview grid-loop-21 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/letters-home-fr-1986\/\" title='Letters Home, FR 1986 \\\\ Regie, Produzentin'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/letters-home-fr-1986\/' title='Letters Home, FR 1986 \\\\ Regie, Produzentin'>Letters Home, FR 1986 \\\\ Regie, Produzentin<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='718' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-718 grid-entry-overview grid-loop-22 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/sieben-frauen-sieben-suenden-3-ep-journal-dune-paresseuse-sieben-frauen-sieben-suenden-3-ep-traegheit-portrait-dune-paresseuse-bede-1986\/\" title='Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Journal d&#8217;une paresseuse \/ Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Tr\u00e4gheit &#8211; Portrait d\u00b4une paresseuse, BE\/DE 1986 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/sieben-frauen-sieben-suenden-3-ep-journal-dune-paresseuse-sieben-frauen-sieben-suenden-3-ep-traegheit-portrait-dune-paresseuse-bede-1986\/' title='Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Journal d&#8217;une paresseuse \/ Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Tr\u00e4gheit &#8211; Portrait d\u00b4une paresseuse, BE\/DE 1986 \\\\ Regie'>Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Journal d&#8217;une paresseuse \/ Sieben Frauen &#8211; Sieben S\u00fcnden. 3. EP: Tr\u00e4gheit &#8211; Portrait d\u00b4une paresseuse, BE\/DE 1986 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='717' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-717 grid-entry-overview grid-loop-23 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/golden-eighties-golden-eighties-golden-eighties-frbech-1985\/\" title='Golden Eighties \/ Golden Eighties \/ Golden Eighties, FR\/BE\/CH 1985 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/golden-eighties-golden-eighties-golden-eighties-frbech-1985\/' title='Golden Eighties \/ Golden Eighties \/ Golden Eighties, FR\/BE\/CH 1985 \\\\ Regie, Drehbuch'>Golden Eighties \/ Golden Eighties \/ Golden Eighties, FR\/BE\/CH 1985 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='716' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-716 grid-entry-overview grid-loop-24 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/new-york-new-york-bis-new-york-new-york-bis-frus-1984\/\" title='New York, New York bis \/ New York, New York bis, FR\/US 1984 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/new-york-new-york-bis-new-york-new-york-bis-frus-1984\/' title='New York, New York bis \/ New York, New York bis, FR\/US 1984 \\\\ Regie'>New York, New York bis \/ New York, New York bis, FR\/US 1984 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='715' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-715 grid-entry-overview grid-loop-25 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/lettre-dun-cinaste-lettre-dun-cinaste-frbe-1984\/\" title='Lettre d&#8217;un cin\u00e9aste \/ Lettre d&#8217;un cin\u00e9aste, FR\/BE 1984 \\\\ Regie, Produzentin'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/lettre-dun-cinaste-lettre-dun-cinaste-frbe-1984\/' title='Lettre d&#8217;un cin\u00e9aste \/ Lettre d&#8217;un cin\u00e9aste, FR\/BE 1984 \\\\ Regie, Produzentin'>Lettre d&#8217;un cin\u00e9aste \/ Lettre d&#8217;un cin\u00e9aste, FR\/BE 1984 \\\\ Regie, Produzentin<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='714' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-714 grid-entry-overview grid-loop-26 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/family-business-chantal-akerman-speaks-about-film-gb-1984\/\" title='Family Business: Chantal Akerman Speaks about Film, GB 1984 \\\\ Regie'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/family-business-chantal-akerman-speaks-about-film-gb-1984\/' title='Family Business: Chantal Akerman Speaks about Film, GB 1984 \\\\ Regie'>Family Business: Chantal Akerman Speaks about Film, GB 1984 \\\\ Regie<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='713' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-713 grid-entry-overview grid-loop-27 grid-parity-odd  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/un-jour-pina-ma-demand-un-jour-pina-ma-demand-frbe-1983\/\" title='Un jour Pina m&#8217;a demand\u00e9 \/ Un jour Pina m&#8217;a demand\u00e9, FR\/BE 1983 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a 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title='Les Ann\u00e9es 80 \/ Les Ann\u00e9es 80, BE\/FR 1983 \\\\ Regie, Drehbuch, Produzentin'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/les-annes-80-les-annes-80-befr-1983\/' title='Les Ann\u00e9es 80 \/ Les Ann\u00e9es 80, BE\/FR 1983 \\\\ Regie, Drehbuch, Produzentin'>Les Ann\u00e9es 80 \/ Les Ann\u00e9es 80, BE\/FR 1983 \\\\ Regie, Drehbuch, Produzentin<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='710' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-710 grid-entry-overview grid-loop-30 grid-parity-even  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  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post-entry post-entry-699 grid-entry-overview grid-loop-41 grid-parity-odd  post-entry-last  chantal-akerman_sort junges-europaeisches-kino_sort  av_fullwidth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/l-enfant-aim-ou-je-joue-tre-une-femme-marie-be-1971\/\" title='L&#8216; Enfant aim\u00e9 ou je joue \u00e0 \u00eatre une femme mari\u00e9e, BE 1971 \\\\ Regie, Drehbuch'  data-rel='grid-1' class='grid-image avia-hover-fx'> <\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/l-enfant-aim-ou-je-joue-tre-une-femme-marie-be-1971\/' title='L&#8216; Enfant aim\u00e9 ou je joue \u00e0 \u00eatre une femme mari\u00e9e, BE 1971 \\\\ Regie, Drehbuch'>L&#8216; Enfant aim\u00e9 ou je joue \u00e0 \u00eatre une femme mari\u00e9e, BE 1971 \\\\ Regie, Drehbuch<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><\/div><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":18,"menu_order":500,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-155","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chantal Akerman - f_films: female filmworkers in europe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/auswahl-regisseurinnen\/chantal-akerman\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta 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