{"id":734,"date":"2014-10-07T13:43:41","date_gmt":"2014-10-07T11:43:41","guid":{"rendered":"http:\/\/f-films.deutsches-filminstitut.de\/cms\/?post_type=portfolio&#038;p=734"},"modified":"2014-10-14T15:20:30","modified_gmt":"2014-10-14T13:20:30","slug":"la-captive-la-captive-frbe-2000","status":"publish","type":"portfolio","link":"https:\/\/f-films.deutsches-filminstitut.de\/cms\/film\/la-captive-la-captive-frbe-2000\/","title":{"rendered":"La Captive \/ La Captive, FR\/BE 2000 \\\\ Regie, Drehbuch"},"content":{"rendered":"<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h3>La Captive \/ La Captive, FR\/BE 2000 \\\\ Regie, Drehbuch<\/h3>\n<p>&#8222;Die Gefangene&#8220; (D)<\/p>\n<p>Ariane, eine junge Frau, lebt mit Simon und dessen Gro\u00dfmutter in einem gro\u00dfen Pariser Appartement. Simon \u00fcberwacht jeden Schritt Arianes und unterwirft sie einem unabl\u00e4ssigen Verh\u00f6r. Dass Ariane sich st\u00e4rker zu Frauen hingezogen f\u00fchlt, steigert Simons Begehren nur noch. Doch er leidet, da Ariane sich ihm selbst in<br \/>\nden intimsten Momenten entzieht und so ihren physischen und psychischen Freiraum bewahrt. &#8222;Hinter der eleganten Oberfl\u00e4che, der banalen Konversation und dem \u00e4u\u00dferst h\u00f6flichen Umgang verbirgt sich eine tiefe Leidenschaft in Chantal Akermans neustem Film.&#8220;<br \/>\n(Kay Armatage, Toronto Film Festival)<\/p>\n<p>Regie \/ Directed by \/ R\u00e9alisation<br \/>\nChantal Akerman<\/p>\n<p>Drehbuch \/ Screenplay \/ Sc\u00e9nario<br \/>\nChantal Akerman, Eric de Kuyper, nach dem gln. Roman von Marcel Proust<\/p>\n<p>Kamera \/ Camera \/ Image<br \/>\nSabine Lancelin<\/p>\n<p>Kost\u00fcme \/ Costume design \/ Costumes<br \/>\nChristian Marti<\/p>\n<p>Schnitt \/ Editing \/ Montage<br \/>\nClaire Atherton<\/p>\n<p>Ton \/ Sound \/ Son<br \/>\nThierry de Halleux, St\u00e9phane Thiebaut<\/p>\n<p>Darsteller \/ Cast \/ Interpr\u00e9tation<br \/>\nStanislas Merhar (Simon), Sylvie Testud (Ariane), Olivia Bonamy (Andr\u00e9e), Liliane Rov\u00e8re, Fran\u00e7oise Bertin (Gro\u00dfmutter), Aurore Cl\u00e9ment<\/p>\n<p>Produktionsfirma \/ Production \/ Production<br \/>\nArte France Cin\u00e9ma, Centre National de la Cin\u00e9matographie (C.N.C.), Gemini Films S.a.r.l.<\/p>\n<p>Verleih \/ Distribution \/ Distribution<br \/>\nAlamode Filmverleih<\/p>\n<p>Urauff\u00fchrung \/ First release \/ Premiere<br \/>\n15.05.2000 Cannes: IFF &#8211; Quinzaine des r\u00e9alisateurs<\/p>\n<p>Filmformat \/ Format \/ Format<br \/>\n35mm; Ton, Farbe<\/p>\n<p>Filmart \/ Type \/ Genre<br \/>\nSpielfilm<\/p>\n<p>Literatur \/ Bibliography \/ Bibliographie<br \/>\nPeltzer, Ulrich: &#8222;Der stille Verrat. Auf Prousts Spuren: Chantal Akermans Film &#8222;Die Gefangene&#8220;&#8220;. Die Zeit (08.05.2002)<br \/>\nKilb, Andreas: &#8222;Nachbarin, euer Schl\u00e4fchen. Chantal Akermans literarisches Kinokammerspiel nach Marcel Proust: &#8222;Die Gefangene&#8220;&#8220;. Frankfurter Allgemeine Zeitung (08.05.2002)<br \/>\nMargret K\u00f6hler: &#8222;Kino ohne Formulare. Interview mit Chantal Akerman&#8220;. Film-Dienst : Kino, Fernsehen, Video Nr. 10; S. 48-49 (2002)<br \/>\nFeldvo\u00df, Marli: &#8222;Die Gefangene. Chantal Akerman verfilmt Proust&#8220;. epd Film. Zeitschr. d. Evang. Pressedienstes der Evangelischen Publizistik Nr. 5 (2002)<br \/>\nRooney, David: &#8222;The Captive&#8220;. Variety. The International Entertainment Weekly Vol. 379, Nr. 3 (29.05.2000)<\/p>\n<p>Information \/ Data Source \/ Source d&#8217;Information<br \/>\nDIF<\/p>\n<\/div><\/section>\n<div  class='avia-gallery  avia-gallery-1 avia_lazyload avia-gallery-animate avia_animate_when_visible  avia-builder-el-1  el_after_av_textblock  avia-builder-el-last '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class='avia-gallery-thumb'> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03.jpg\" href=\"1024\" href=\"698\" href=\"\" data-srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03.jpg 1024w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03-300x204.jpg 300w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03-705x480.jpg 705w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03-450x306.jpg 450w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03-495x400.jpg' class='first_thumb lightbox ' data-onclick='1' title='Chantal Akerman: Captive'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1247 avia-img-lazy-loading-not-1247\"  data-avia-tooltip='Chantal Akerman: Captive' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03.jpg\" width=\"1024\" height=\"698\"  title='Chantal Akerman: Captivefn077561_pic_03' alt='' srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03.jpg 1024w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_03-300x204.jpg 300w, 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href=\"\" data-srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01.jpg 1024w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-300x204.jpg 300w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-705x480.jpg 705w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-450x306.jpg 450w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-495x400.jpg' class='lightbox ' data-onclick='3' title='Chantal Akerman: Captive'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1245 avia-img-lazy-loading-not-1245\"  data-avia-tooltip='Chantal Akerman: Captive' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01.jpg\" width=\"1024\" height=\"698\"  title='Chantal Akerman: Captive fn077561_pic_01' alt='' srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01.jpg 1024w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-300x204.jpg 300w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-705x480.jpg 705w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/fn077561_pic_01-450x306.jpg 450w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_01.jpg\" href=\"283\" href=\"186\" href=\"\" data-srcset=\"\" data-sizes=\"\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_01.jpg' class='lightbox ' data-onclick='4' title='Chantal Akerman: &#8222;La Captive&#8220;'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1168 avia-img-lazy-loading-not-1168\"  data-avia-tooltip='Chantal Akerman: &#8222;La Captive&#8220;' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_01.jpg\" width=\"283\" height=\"186\"  title='Chantal Akerman La Captive3' alt='' \/><\/a> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02.jpg\" href=\"283\" href=\"374\" href=\"\" data-srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02-227x300.jpg 227w\" data-sizes=\"(max-width: 283px) 100vw, 283px\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02.jpg' class='first_thumb lightbox ' data-onclick='5' title='Chantal Akerman: &#8222;La Captive&#8220;'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1167 avia-img-lazy-loading-not-1167\"  data-avia-tooltip='Chantal Akerman: &#8222;La Captive&#8220;' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02.jpg\" width=\"283\" height=\"374\"  title='Chantal Akerman La Captive2' alt='' srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_02-227x300.jpg 227w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/a> <a href=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04.jpg\" href=\"283\" href=\"436\" href=\"\" data-srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04-194x300.jpg 194w\" data-sizes=\"(max-width: 283px) 100vw, 283px\" data-rel='gallery-1' data-prev-img='https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04-283x400.jpg' class='lightbox ' data-onclick='6' title='Chantal Akerman: &#8222;La Captive&#8220;'  itemprop=\"thumbnailUrl\"  ><img decoding=\"async\" class=\"wp-image-1166 avia-img-lazy-loading-not-1166\"  data-avia-tooltip='Chantal Akerman: &#8222;La Captive&#8220;' src=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04.jpg\" width=\"283\" height=\"436\"  title='Chantal Akerman La Captive' alt='' srcset=\"https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04.jpg 283w, https:\/\/f-films.deutsches-filminstitut.de\/cms\/medien\/2014\/10\/ff36144_04-194x300.jpg 194w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/a><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"portfolio_entries":[35,33],"class_list":["post-734","portfolio","type-portfolio","status-publish","hentry","portfolio_entries-chantal-akerman","portfolio_entries-junges-europaeisches-kino"],"yoast_head":"<!-- This site is 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